Poetry

Lost in Tall Grass” – Forge (Fall 2012)

Snake and Toad” – Forge (Fall 2012)

Catching the Train Home” – Talking River (Summer 2012)

I Know You Best in Winter” – Bluestem (March 2013)

I Let Him Sleep” – Diverse Voices Quarterly (Spring 2013)

The Ancient Stories” – Schuylkill Valley Journal of the Arts  (Spring 2013)

There Must Be a Moment” – Eclipse (Summer 2013)

At Last” – Caveat Lector (Summer 2013)

The Promises of Autumn” – Diverse Voices Quarterly (Fall 2013)

A Word of Advice“– Tiger’s Eye Press (Summer 2013)

Beachcomber at Garrapata” – Tiger’s Eye Press (Summer 2013)

Rubin’s Vase” – The Dos Passos Review (December 2013)

The Long Arc of Grief” – OxMag (Spring 2014)

Norway Spruce” – Willow Springs (Fall 2015)

Ozymandias Revisited”- The Penmen Review (September 2015)

Speaking In Code” –  The Penmen Review (October 2015)

We Meteors”  –  The Penmen Review (October 2015)

Here I Weep” – Poetry Expressed (January 2016)

Small Cruelties” – The Diverse Arts Project (Winter 2017)

We Are Connected” – The Diverse Arts Project (Winter 2017)

Eye Exam” – Crack the Spine (March 2016)

Dirty Money” – Legal Studies Forum (Spring 2017)

“The Workshop”Broad River Review (2018)

“I Remember Her Now”Evening Street Review (Autumn 2017)

“No Patience For Horror Movies” – The Good Men Project (May 2017)

“Death Rattle” – Gold Man Review (2018)

“There Is A Road” – Light Journal (Fall 2017)

“A Night At The Opera”Mudlark (Spring 2019)

“Hawk Above Main Street”Origins ( October 2018)

“The Pedicure”Origins (October 2018)

“A Thousand Words”Reed Magazine (2017)

“Machu Picchu”Valparaiso Review (Fall/Winter 17-18)

“My Buddhist Neighbor”Voices de la luna (November 2018)

 

Prose

Refusing Geraniums” – The MacGuffin (Fall 2012)

Fat of the Land™ Takes on New Meaning for Beverly Hills” – Minetta Review (Fall 2012, p. 76)