Poetry
“Catching the Train Home” – Talking River (Summer 2012)
“Lost in Tall Grass” – Forge (Fall 2012)
“Snake and Toad” – Forge (Fall 2012)
“I Know You Best in Winter” – Bluestem (March 2013)
“I Let Him Sleep” – Diverse Voices Quarterly (Spring 2013)
“The Ancient Stories” – Schuylkill Valley Journal of the Arts (Spring 2013)
“There Must Be a Moment” – Eclipse (Summer 2013)
“At Last” – Caveat Lector (Summer 2013)
“A Word of Advice“– Tiger’s Eye Press (Summer 2013)
“Beachcomber at Garrapata” – Tiger’s Eye Press (Summer 2013)
“The Promises of Autumn” – Diverse Voices Quarterly (Fall 2013)
“Rubin’s Vase” – The Dos Passos Review (December 2013)
“The Long Arc of Grief” – OxMag (Spring 2014)
“Norway Spruce” – Willow Springs (Fall 2015)
“Ozymandias Revisited”- The Penmen Review (September 2015)
“Speaking In Code” – The Penmen Review (October 2015)
“We Meteors” – The Penmen Review (October 2015)
“Here I Weep” – Poetry Expressed (January 2016)
“Eye Exam” – Crack the Spine (March 2016)
“A Thousand Words” – Reed Magazine (2017)
“The Sobranes Fire” – Pennsylvania English (2017)
“Small Cruelties” – The Diverse Arts Project (Winter 2017)
“We Are Connected” – The Diverse Arts Project (Winter 2017)
“Dirty Money” – Legal Studies Forum (Spring 2017)
“No Patience For Horror Movies” – The Good Men Project (May 2017)
“I Remember Her Now” – Evening Street Review (Fall 2017)
“There Is A Road” – Light Journal (Fall 2017)
“Machu Picchu” – Valparaiso Review (Fall/Winter 17-18)
“The Workshop” – Broad River Review (2018)
“Death Rattle” – Gold Man Review (2018)
“Hawk Above Main Street” – Origins (October 2018)
“The Pedicure” – Origins (October 2018)
“My Buddhist Neighbor” – Voices de la Luna (November 2018)
“On Turning 60” – Reunion: The Dallas Review (2019)
“A Night At The Opera” – Mudlark (Spring 2019)
“The Art of Silence” – Third Wednesday (September 2019)
“Masque” – Ignatian Literary Magazine (2020)
“Letter to Gabriel Garcia Marquez While Sheltering” – Stirring (February 2021)
“Cabo da Roca” – Front Range Review (Spring 2021)
“The Cruelest Truths” – Ellipsis, page 113 (April 2021)
“Not Fifteen Days” – Poetry and Places (July 2021)
“Between” – Soundings East (Spring 2022)
“Ode to Amanda” – Existere — Journal of Arts & Literature (Spring/Summer 2022)
“On Seeing a Content Advisory in a Playbill” – Existere — Journal of Arts & Literature (Spring/Summer 2022)
“For H.” – Off the Coast (Summer 2022)
“Coming to Table” – Off the Coast (Summer 2022)
“Visiting in Winter” – Brushfire (Fall 2022)
“My Worst Confession” – The Phoenix (2023) (p.65)
“Facing Pages” – Perceptions Magazine of the Arts (2024)
“Digging” – ICC Anthology: Gathering 16 (2024)
Prose
“Refusing Geraniums” – The MacGuffin (Fall 2012)
“Fat of the Land™ Takes on New Meaning for Beverly Hills” – Minetta Review (Fall 2012, p. 76)
Reviews
Review of Make For Higher Ground by Diane Lee Moomey in The Compulsive Reader, December 2021
Review of The Juror Must Fold in on Herself by Kathleen McClung for Rattle